Kite aka Suzanne Kite is an award winning Oglála Lakȟóta performance artist, visual artist, composer and academic raised in Southern California, known for her sound and video performance with her Machine Learning hair-braid interface. Kite holds a BFA from CalArts in music composition, an MFA from Bard College’s Milton Avery Graduate School. Kite’s groundbreaking scholarship and practice explore contemporary Lakota ontology through research-creation, computational media, and performance. Kite often works in collaboration, especially with family and community members. Her art practice includes developing Machine Learning and compositional systems for body interface movement performances, interactive and static sculpture, immersive video and sound installations, poetry and experimental lectures, experimental video, as well as co-running the experimental electronic imprint, Unheard Records. Working with machine learning techniques since 2017 and developing body interfaces for performance since 2013, Kite is a first American Indian artist to utilize Machine Learning in art practice. Kite has been included in numerous publications such as Atlas of Anomalous AI, Indigenous Futurisms, YWY: Searching for a Character Between Future Worlds, SOUTH as a State of Mind, Creative AI Database from Serpentine Gallery, the American Indian Culture and Research Journal, the Journal of Design and Science (MIT Press), with the award winning article, “Making Kin with Machines”, and the sculpture Ínyan Iyé (Telling Rock) (2019) was featured on the cover of Canadian Art. Kite was the Global Coordinator for the Indigenous Protocols and Artificial Intelligence Workshops supported by the Canadian Institute for Advanced Research, resulting in the publication of the Indigenous Protocols and Artificial Intelligence Position Paper. Kite’s artwork and performance has been included in numerous exhibitions, recently Hammer Museum, Whitney Museum of American Art, Plug In Contemporary, PS122 and the Vera List Center, Anthology Film Archives, Walter Phillips Gallery, Chronus Art Center, Toronto Biennial, and Experimenta Triennial. Kite was a 2019 Pierre Elliott Trudeau Foundation Scholar, a 2020 Tulsa Artist Fellow, a 2020 Sundance New Frontiers Story Lab Fellow, a 2020 “100 Women in AI Ethics”, a 2021 Common Fields Fellow, and the 2022 Creative Time Open Call artist for the Black and Indigenous Dreaming Workshops with Alisha B. Wormsley. She currently is showing work at 108 Contemporary in Tulsa, Oklahoma and at the Everson Museum in Syracuse, NY.

Programming