Fumi Okiji is an assistant professor in Women, Gender, Sexuality Studies whose work crosses music and critical theory, black feminist thought, and performance studies. Her research and teaching looks to black music for ways to understand modern and contemporary life, exploring the potential such representation holds for social criticism. Okiji’s book Jazz as Critique: Adorno and Black Expression Revisited was recently published by Stanford University Press.
Programming
Conference
Wed, Oct 23, 2019 –
Sat, Oct 26, 2019,
06:00 PM – 09:00 PM
06:00 PM – 09:00 PM